WOMEN IN SALSA
Using a special tribute to women, wanted to share with you a little tour of the master and talent that have shaped them into the sauce in the world, giving his touch and unparalleled style with great talent and professionalism ... in fact, without entering into comparisons, nothing to envy those who have long dominated the genre.
In the transition from the 50 and 60 in New York kingdom Cuban YOLY VICTORIA better known as La Lupe, she was the star of a disordered phase where decaying Big-Bands of palladium with all its glamor and social confusion reigned Politics and especially artistic. WOMAN America, was always linked sentimental, musical and present in the neighborhood rumba, with vocals, minor percussion playing, dancing, to break the prejudice Latin music to exercise a professional level. This stage can evoke memories and Beki SONIA RIVERA (Joey Pastrana Orq. the female chorus of "Rumbón Melon"), the first wife of Larry Harlow HARLOW Viky, Jewish recorded gorgeous model in "My Guarachita" the North American Eddie Ellis Cinthya Palmiery and that precious boricua CARO NIDIA blues singing with Richie Ray & Bobby Cruz.
Entering the decade of the 70s CELIA CRUZ, who was released by the Fania label in the OPERA singing Homy "Gracia Divina" (1973) would be immortalized in the second film and commercial success of Massucci "SALSA" Salsa inaugurating his reign to interpret "Bemba Colora." CELIA known as "LA Guarachera DE CUBA" with the unforgettable Sonora Matancera in the '50s, brilliantly suited to its traditional urban sound are becoming emulate unanimously by all the neighborhood soneritas now trying to explore the paths of song Afro-Latin.
begin to emerge from Cuba women of great stature as CELINA GONZALEZ singing "Que viva Chango", CARIDAD CUERVO, TERESITA GARCIA, SARA GONZALEZ, MYRIAM RAMOS and more mature and wise Omara Portuondo, with all this talent is renewed Havana with female voices causing a sensation with a sense of their interpretation and guitar lovers of these great performers.
On the instrumental side the revolution begins North American Flutist Andrea Brachfeld, it would both attract women to retire flautist Andrea de la Charanga 76, had to be replaced by KAREN JOSEPH and Charanga News released next CARLA POOLE . On the side of the keyboard can name the band WILSON Lissette Angel Canales, percussion almost forbidden for women deliciously disrespected by the daughter of Pete Escobedo, SHELIA ESCOBEDO and later by the percussionists women's orchestra one of the most daring, refined and progressive New York, RITA LATIN FEVER HARLOW, an institution that had the luxury of bringing together the best instrumentalists in New York in 1977.Actualmente we highlight a large number of voices have Women musicians are part of the salsa movement masgistralidad and female orchestras would not generate large size has space to list them all but here I leave a list of great female talent to take into account: Miki Vimary, Yolandita Rivera, Maria Lebron, Milly Quezada, Arabella, Linda Leyda, Shofy, Canelita, Fe Cortijo, Trina Medina, Soledad Bravo, Tona la Negra, Tania de Venezuela, India and many other East ... "recalls this is just beginning "
TELEPHONE (YOUNG BARRIO)
The missing brass band Johnny Andrews and his ex-wife Jillian (who sings here sensational), Bronx Lebanon Hospital Center in New York
THAT PICA PICA (FE Andalusian Rafael Cortijo y su Bonche)
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