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SALSA AND RELIGION

Considering that during these seven days, the Catholic Church celebrates Easter, I wanted to stage the spiritual influence that religion had in the sauce and vice versa. As human beings we are made of flesh and spirit, and this was no stranger to great artists of the sauce at some point their lives were touched by their spiritual essence and in their lyrics and chords wanted to offer a superior songs, identificanlo under different names or religious beliefs of others did not live a spiritual calling at some point in their lives. (Behold, I stand at the door and knock: if any man hear my voice and opens the door, come in to him and dine with him, and he with me. "Revelation 3:20) orchestras and singers like Hector Lavoe, Lalo Rodriguez Richie Rey & Bobby Cruz, Alex de Castro, Papo Rivera, Los Hermanos Lebron, Impacto Crea, Bobby Valentin, Willie Rosario, and others have sealed their songs with lyrics like "the Lord Almighty" "At last I regret it", "Let loose the Pharisees They said Barabbas," "Book of love the world you cautious," "Last night I talk to the Lord and I said these words" "The Nazarene told me to watch my friends ".... They are letters that carry messages of hope and reflection on humanity.
not forget that the drum, metals and tumbao characteristic of Afro-Caribbean rhythms have influenced church music groups also were tainted by these rhythms and adopted this key to praise its creator. To name a few highlights we have a Son and Justice, Potters, Caribbean salsa praise, among others Bazilian to put their churches to dance to the rhythm of Salsa.
With the well known expression of St. Augustine "Whoever sings prays twice", you can say that so subliminal Salsa great artists have put us to pray without us noticing. But however it is to rescue all messages that carry in their songs are to make people reflect about our lives as human beings carry messages of love, peace, forgiveness and many other qualities that have been lost recently little.
could not leave aside the Cuban island, while not a religious belief like ours, have always included in their repertoire and their music to all his saints: Chango, Elegua, Ogun, Oba, Obaluaie, Oxum, Orula, among many others. So far I have not heard a Cuban artist qua career at a time is left in his repertoire to include a song or a mention of some saint or devotion protection. To mention a few songs: I'm all, the Genesis, Grace, Fiesta For Chango, Yemaya mara Fiesta, Fiesta ochu, whisk Touch Yemaya, Homage to the holy, etc.
respecting different religious beliefs of this paper is to rescue the letter full of life that have given us these great artists of Afro-Caribbean genre, some dead and thank you very much wherever they are, and those who are still alive so I encourage continue filling messages of love joy and hope his lyrics and music. With them come not many people realize that at some point touched by what you do. I invite readers who enjoy and are passionate about the genre of salsa and Afro-Caribbean rhythms, to listen to this week holy life messages from your favorite artists, and take the opportunity to take a week of actual reflection.

Here is my list of recommended items.

1. Allegri's "Hail Mary Bazilian Colletion
2. The Nazarene-Saxomania
3. Diablo-Caribbean Salsa Praise
4. I All-America
Dimension 5. What changed it all - Potters
6. Virgin of Charity Blea Antony
7. Repentant sinners
Willie Rosario 8. Jesus Christ, Son 14
9. The Bohemian-Luis Perico Ortiz
10. Hora Cero, Roberto Roena
11. Santos-bye and Impatica Create

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SALSA AND SEVENTH SENSE RELIGION WOMEN IN SALSA

SEVENTH SENSE

is a project born ROSALES primarily with family, natives of southern Colombia, in exactly the city of Pasto to the world, a group of musician brothers who each work with different orchestras and artists, who decide to join in 2003 for a period of three months and record their first album called "SMOOTH JAZZ LATINO" under the name of SEVENTH SENSE; these brothers make this album a great musical work, issues and successes with traditional but with a twist and an own sound.

Working with sounds of vibraphone and percussion downloads, in this work can be found topics such as Almond, Mambologia, Mississippi Mambo, Mi guajira, Grinding coffee and do a great rendition of "Mambo Diablo" for me one of the best songs This musical work. The group consists of: Ricardo Rosales (bass), Danny Rosales (Piano, Vibraphone, Percussion) Luis Arroyo (piano, vibraphone), Jorge Guzman (Timbal), Jairo Rosales (Conga, Bongo, Guiro)

Mambo Diablo

Due to lack of sponsorship and budget this Group launches its first work with a limited number of copies, of which already in the market is difficult to achieve. But Seventh Sense, is releasing his new work for his followers, which is on hold due to problems with the record label. But Jairo Rosales, very kindly shares some of what comes with the theme "bongo".

bongo

Here a video and a short review of travel of the members of this group.

Jairo Rosales. Despite its musical breaks career has been pretty hectic and productive in their early playing with the trio of brothers: the drum, then leave the music to devote to physical education and resolves after several years studying bongo instrument which plays with an optimal level. The last time a musical work sandwiched between the conga and bongo, making recordings with salsa orchestras from Colombia and accompanying artists like Henry Fiol, Mariano Civico, Cheo Feliciano, Santiago Cerón and other international orchestras, also delved into the first production with the first album Yambao Concert Orchestra and Latin Jazz with the group and the Master Mambote Edy Martinez.

Danny Rosales: "I am a percussionist who plays the piano" is the phrase used by the artist to describe his talent, which over time have gone through three continents different orchestras accompanying sauce, has all the qualities necessary to label it as an excellent interpreter of Latin rhythms. Rosales Danny begins his career at age twelve and soon shows skills as a drummer, guitarist and pianist, who later develops into music production, composition, arrangement and sound engineering. Their contact with the Latin Jazz Festival takes place in Bogotá. After having met the maestro Chucho Valdés wakes your interest in composing works of this genre are more than thirty works that Danny has created in this research two of them.

Ricardo Rosales. It is the greatest of the dynasty Rosales and was the mainstay in the early music of his brothers because he had contact with the art when you first met nine years, playing stringed instruments Colombian music, then enters a tropical orchestra to play the piano, an instrument that played empirically, decided after studying music pedagogy at the university level and at this time is its instrument The key: bass, both electric and acoustic or bass, which opens border with recordings made with national orchestras that have been successful abroad. Salsa music is that Richard has toiled in his life and the Latin Jazz a new experience that makes them stand their skills excellent performer.

Luis Arroyo. Peruvian pianist based in Bogotá last five years, lover of Latin music especially salsa and Latin Jazz, began his career at the age of twelve years in the city of Lima, playing empirically and in the year 1991 decided to enter the music faculty of the Conservatory Jose Mary Valleriestra, when "Lucho" as they call their close friends, arrive in Bogotá, Colombia accompanying artists and then enters the Orquesta Canela Maria Cesar Mora, where we know much more, reason is held in several jazz festivals in Bogotá and Barranquilla and in this work gives us some of his musical arrangements.

Jorge Guzman. It comes from a cradle of musicians in southern Colombia, the father a renowned trumpet player in the region, is one who supports his music career from the beginning. Jorge has dedicated much of his activity to study I investigate everything about the percussion emphasis on Afro-Cuban rhythms. In this concert experience their participation in the orchestra of Francisco Sumac, The Valley Symphony Orchestra, Big Band teacher Eduardo Maya and William Maestre Jazz Trio. For Seventh Sense is an important contribution

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WOMEN IN SALSA

Using a special tribute to women, wanted to share with you a little tour of the master and talent that have shaped them into the sauce in the world, giving his touch and unparalleled style with great talent and professionalism ... in fact, without entering into comparisons, nothing to envy those who have long dominated the genre.

In the transition from the 50 and 60 in New York kingdom Cuban YOLY VICTORIA better known as La Lupe, she was the star of a disordered phase where decaying Big-Bands of palladium with all its glamor and social confusion reigned Politics and especially artistic. WOMAN America, was always linked sentimental, musical and present in the neighborhood rumba, with vocals, minor percussion playing, dancing, to break the prejudice Latin music to exercise a professional level. This stage can evoke memories and Beki SONIA RIVERA (Joey Pastrana Orq. the female chorus of "Rumbón Melon"), the first wife of Larry Harlow HARLOW Viky, Jewish recorded gorgeous model in "My Guarachita" the North American Eddie Ellis Cinthya Palmiery and that precious boricua CARO NIDIA blues singing with Richie Ray & Bobby Cruz.

Entering the decade of the 70s CELIA CRUZ, who was released by the Fania label in the OPERA singing Homy "Gracia Divina" (1973) would be immortalized in the second film and commercial success of Massucci "SALSA" Salsa inaugurating his reign to interpret "Bemba Colora." CELIA known as "LA Guarachera DE CUBA" with the unforgettable Sonora Matancera in the '50s, brilliantly suited to its traditional urban sound are becoming emulate unanimously by all the neighborhood soneritas now trying to explore the paths of song Afro-Latin.

begin to emerge from Cuba women of great stature as CELINA GONZALEZ singing "Que viva Chango", CARIDAD CUERVO, TERESITA GARCIA, SARA GONZALEZ, MYRIAM RAMOS and more mature and wise Omara Portuondo, with all this talent is renewed Havana with female voices causing a sensation with a sense of their interpretation and guitar lovers of these great performers.

On the instrumental side the revolution begins North American Flutist Andrea Brachfeld, it would both attract women to retire flautist Andrea de la Charanga 76, had to be replaced by KAREN JOSEPH and Charanga News released next CARLA POOLE . On the side of the keyboard can name the band WILSON Lissette Angel Canales, percussion almost forbidden for women deliciously disrespected by the daughter of Pete Escobedo, SHELIA ESCOBEDO and later by the percussionists women's orchestra one of the most daring, refined and progressive New York, RITA LATIN FEVER HARLOW, an institution that had the luxury of bringing together the best instrumentalists in New York in 1977.Actualmente we highlight a large number of voices have Women musicians are part of the salsa movement masgistralidad and female orchestras would not generate large size has space to list them all but here I leave a list of great female talent to take into account: Miki Vimary, Yolandita Rivera, Maria Lebron, Milly Quezada, Arabella, Linda Leyda, Shofy, Canelita, Fe Cortijo, Trina Medina, Soledad Bravo, Tona la Negra, Tania de Venezuela, India and many other East ... "recalls this is just beginning "

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